Art and Politics

guile and Politics have gone hand in hand since the first undermine paintings had been drawn on cave walls. As the cavemen may have name out through some other fellow cave wall fraudists as well as their sundry(a)(prenominal) audiences, art is non just restricted to those who examine themselves as artists. The fact that artwork regardless of determination and purpose may be viewed in various manner is enough to permit even the almost amateur of artists into creating an artwork that someone somewhere may really like.Hence the conclusion that art or visual aesthetics, more particularly in this case, is subjective, giving righteousness to the adage beauty is in the eye of the beholder. Popularity, however, and the power it holds over the masses, has a commanding instruction of dictating which the consumers should support. This control is then used for further usage of consumer-affective decisions of which the powers that be profit from. This is why at that place tends to be a trend of Art politics that apparently commands the taste of people, resulting in the belief that great art comes from the production of the elite.One would be quick to dismiss Annie Leonards conclusion of American culture and practices affecting those of the cultures and practices of the grey hemisphere as ridiculous but there are certain points wherein there findings are seen to be true, most especially with the less than developed countries of which the unify States of America hold key influential powers on consumption and culture. The other major players, on the other hand tend to have a rather stunted cultural and commercial development as the American trends continue to affect them.This however does not just hold true to the southern hemisphere, as the United States of Americas influence holds dependable in many other countries north of the equator. Poet pile Oppenheims composition Bread and Roses, for example, portrays the struggle for the nonsuch (roses) and t he real (bread), of which the countries under the influence of the United States house from. Rather than pursuing the development of their culture, they are odd to prioritize self-preservation.